![]() ![]() ‘Mayanadhi’, is nothing exceptional, except for some Spanish tango guitar mix in-between and the unconventional vocal rendering by the male vocalist. The music director seems to have run out of ideas to exemplify Kabali after composing ‘Neruppada’ and ‘Veerathurangira’, as Ullagam Oruvannukka comes in as residual of the former two songs. Similar to the theme of ‘Veerathurangira’, ‘Ullagam Oruvannukka’ but is more linear and simple in its music and lacks anything out of the box other than some rap, again adding colours and hype to the much-hyped Kabali. ‘Ullagam Oruvannukka’, is a typical Tamil number, that carries along with proletarian sentiments and glorifies the saviour of the underprivileged, in this case Kabali. The Tamil lyrics also follow the beats of rap which is now a common trend in recent Tamil films and it leaps back and forth to those pulsating techno rythm that might prompt you to flash your hands like a punk do on hearing Eminem. The rap portion of the song ,as expected is all praise for the legendary gangster, that is Kabali. The opening reminds me of the jazz tracks of 80’s era, where people would reminisce on the soothing tunes of jazz music over a peg of whisky, but, instead of resuming with that mood, Narayanan brings in some funky electro elements and then the song goes for an all-out fusion item. As for the ‘Veerathurangira’ track, Narayanan reveals the fusionist in him by mixing few retrospective tunes with some new-age gangster- rap.
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